In keeping with the theme of going out of your comfort zone, firstly I used Reaper, a programme I am not particularly familiar with but have been wanting to practice. I found certain aspects such as being able to edit clip properties easily very useful especially for the phasing effect where I chaged playback speeds… Continue reading 6) arranging

Before the work in progress class, I made sure to listen through and sort my field recordings. I layed out all the clips into one track on reaper with the accompaning ambient recording underneath if it had one. I looked out for particularly interesting sounding sections and marked them. I also went and cut unnecissary… Continue reading 5) feedback

Partly inspired by Lucier and Reich I intend to use the beats and pulses picked up by the soma ether and phase them slightly. Though Lucier played with the acoustic phenomena, I think the ether creates a similar effect. In the inbetween as you point from one source to another the two drone like signals… Continue reading 4) psychoacoustics

Having just finished the radio module I was even more intrigued by the anti-radio I had not yet tried. Being fairly new to field recording itself I was excited to use something that could scratch the itch for noiser recordings. I have been reading Paul Hegarty’s ‘Noise/Music, A History’ and listening more to artists such… Continue reading 3) soma ether

story of a new capable of, I immediately engaged a fine Italian didn’t feel like the language trip reading, hat I danced out flew A miraculous sight A long time passed I remembered slow waning Although at first I struggled with this excercise, in the end I found it to be quite rewarding to think… Continue reading 2) the voice // time

Was given a blank A4 sheet of paper to create a graphic score. A daunting starting point with so many options, my mind was as blank as what I was staring at. Tata next to me had begun folding his paper so in a somewhat pretentious way to one-up him I began to rip the… Continue reading 1) graphic score